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Nick Morgan and crew
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Concert
Review by Nick Morgan |
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CHARLIE MUSSELWHITE
The Jazz Café, Camden Town, London, June
24th 2007 |
| As
you may be aware it’s Glastonbury weekend
and the rain has been falling persistently in the
South West since the Festival began – that
hasn’t stopped it receiving media coverage
worthy of a major world event (quite the reverse),
which frankly it isn’t. It’s pretty
wet in London too. Yesterday we were supposed to
see Peter Gabriel perform at this year’s Hyde
Park Calling but continual heavy showers dampened
our enthusiasm during the afternoon, and our last
opportunity to leave coincided with a thunderstorm
and torrential rain that lasted for almost an hour,
so apologies, but we took the easy option. And tonight’s
even better; we’re upstairs dining at the
prematurely smoke-free Jazz Café in the company
of blues harmonica maestro, Charlie
Musselwhite and his band. |
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| Musselwhite
is the real deal – born in Mississippi of
American Indian descent he moved to Memphis as a
child and spent his most formative years in this
musical hothouse before travelling north to Chicago.
Here he became acquainted with, and performed with,
the city’s musical giants such as Muddy Waters
and Big Joe Williams, and harmonica greats such
as Sonny Boy Williamson, Little Walter and Big Walter
Horton. He was particularly close to Waters’
one-time band leader Otis Spann: the two, despite
their difference in years, sharing a passion for
women and alcohol. Booze killed Spann – Musselwhite
battled with alcoholism for many years before drying
out in 1987. |
| In
1966 Musselwhite released his first album, Stand
Back, and shortly afterwards domiciled himself in
California, persuading close friend and best man
John Lee Hooker to move there too. In more recent
years Musselwhite has been known for his many collaborations
(notably the Blind Boys of Alabama, Tom Waits and
most recently Otis
Taylor) and two recent albums of the highest
quality: 2004’s introspective Sanctuary, and
2006’s Delta Hardware. |
| He’s
performing tonight with the Delta Hardware band,
a tight and well drilled outfit with Chris ‘Kid’
Anderson on guitar (really first-rate playing but
apart from the conceit, I couldn’t understand
why he was playing a Fender Jaguar which didn’t
really have the right sound for this), Randy Bermudes
on bass, and an exceptional June Core on drums (he’s
played with Robert Lockwood Jnr and Johnny Shines).
Charlie’s got a sore throat, but if it makes
his singing a bit hoarse it does nothing to reduce
the quality of his harp-playing – he only
misses a few notes and those are on the most demanding
phrases he chooses to play. He’s got his case
next to him – in it are not only his harps,
but also, on scraps of note-paper, hand-written
lyrics to all of the songs. He’s one of the
most laid back artistes I’ve seen, very conversational
and seemingly genuinely pleased with the response
he gets from the not capacity crowd. The set features
songs from way back – like ‘Nobody knows
me’ and Eddie Taylor’s ‘Bad boy’
along with ‘You know it ain’t right’
and ‘Blues overtook me’. There’s
also a brief exploration of Brazilian blues, reflecting
Musselwhite’s work on his 1999 album ‘Continental
Drifter’. And of course from Delta Hardware
‘Church is out’, ‘Blues for yesterday’
and ‘Black water’, a poignant reflection
on the flooding of New Orleans. |
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For anyone trying to learn the harmonica Musselwhite’s
mastery is a tad depressing – he’s quoted
as saying “I only know one tune”. If
that’s the case then it’s a very long
one, with a lot of key changes and a lot of complexity.
That of course doesn’t stop the air-harmonica
players at the fringes of the audience from playing
along – but it’s not quite as hard for
them. Anyhow Charlie’s full of words of encouragement
as he takes time at the end of the gig to speak
with fans and autograph CDs – and it strikes
me that he’s not only one of the blues greats.
He’s also a real blues gentleman. - Nick
Morgan (photographs by Kate) |
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