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Concert
Review by Nick Morgan |
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DIZZEE
RASCAL
Royal Festival Hall, London
- Tuesday March 15th 2005 - by Nick Morgan |
| Ok
ok Serge, I know it’s late, but like I told
you, I very nearly didn’t even get to the
gig. After all, I’d had a week in Paris on
some sort of marketing thing, enduring some of the
worst food I’d ever eaten in my life (Serge
said he thought an Englishman, Irishman, Scotsman
and Welshman must have got into the kitchen, but
I have my doubts) (1).
And then back to blighty for a quick hour or two
at Whisky Live (more than any normal man can handle)
followed by a very Big weekend and a great night
at Nick Lowe on the Monday. Well, the photographer
was keen (although as it turned out the excessive
security prevented any reasonable access for shooting
purposes) as was my daughter (no – she was
positively twitching with excitement). But me –
well I wondered if I really wanted to be there. |
|
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| As
it turned out I wasn’t alone. First up on
this special night at the South Bank Centre’s
Africa Remix Festival was Nigerian drumming legend
Tony
Allen, the right hand of Fela Kuti,
and often acknowledged as the co-founder (with Kuti)
of Afrobeat. Boy – he was almost as unhappy
as me. “I just want to say, I don’t
want to say nothing, I am just here for the Dizzee”.
Playing second fiddle to a teenage East End prodigy
was clearly not his bag, and his painful indifference
to the gig was only compounded by his most pedestrian
band, who had clearly undergone a rhythm bypass
and a funkechtomy. Add to this two “singers”
whose booty-shaking was a tribute to the (just withdrawn
from the market) Rowntree’s jelly-cube (and
maybe as appetising too) and you should begin to
see just how bad it was. Sort of in-between early
Santana and the Crusaders, with barely a dash of
Africa, and at several RPMs less than it deserved.
So for one I wasn’t quite as surprised as
Allen’s band when he abruptly left the stage
as they prepared for their final number; “Now
I hand you over to the Dizzeeee”. |
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Dizzee
Rascal rocking the Royal Festival Hall
(yes Serge, the Royal Box was devoid of teenagers
and soon-to-be weds) – not an immediate match
made in heaven. Dizzee with an awesome DJ deckmeister
(“how did he make all that noise?” I
asked my daughter, still half deaf, in the homeward
bound hooptie) and a fellow MC whose repetitive
hand gestures suggested he spent the whole night
in fear of loosing his testicles through the crotch
of his baggy denims. A Dizzee who, despite his various
brushes with rival MCs from the grime (don’t
ask me, but apparently a very high velocity London
take on Garage and Hip Hop) posse, and the boys
in blue, seems more likely to die by suffocation
at the hands of the chattering white middle classes
than from a drive-by shooting. |
| Have
no doubts, these clever clogs are grasping at DR
as the acceptable face of young black music in the
UK, a Mercury Prize winning alternative to misogynistic
US rappers and their over-aggressive crews. And
they are all out in force - beards, sandals, Guardians
and all - at the RFH safe in a comfort zone never
afforded by the Brixton Academy. |
| And
why all the fuss? Well once you got over the jarring
and largely alienating high speed rhythms (too many
RPMs !) and almost industrial bass lines and samples
(although I have to say the former did send a thrilling
vibration through my thickly textured corduroy trousers)
and caught up with the Dizziness himself (“Don’t
ask me to sing slower, just listen faster”)
what you got was a surprisingly intelligent and
fiercely moralistic young man, singing with his
heart on his sleeve, a plaintive voice for the young
inner-city dispossessed. Actually I’m not
sure that singing is the right word, but his powerfully
delivered lyrics could have been written by his
mum, though I suspect she might have used fewer
“fucks”. Witty, good-humoured, and at
the end of it all hugely optimistic I have to say
that the final result was almost life-affirming
(I last saw this word used in the Guardian of all
places, in a review of a Chas and Dave gig! Surely
it’s better placed here?). |
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Corduroy
trousers
(archives) |
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What were the songs? How should I know? But a bit
of research and listening afterwards showed that
he played almost all of the new Showtime and The
Boy in da Corner. You can make up the rest for yourselves.
Oh yes – and I should have mentioned Dizzee’s
fiercely expressed pride in his home city, which
came through in his interplay with the audience
(although we remain disappointed that he didn’t
give it out to the Chiswick Crew) and his songs.
Now the boy had better watch out, because if he’s
not careful Ken Livingstone will co-opt him onto
London’s Olympic bid (Ken, you read it here
first mate), and then you Serge, and your Paris,
just won’t stand a chance. - Nick Morgan
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