| |

Whiskyfun
Home
(Current
entries)
Concert
Review
Index
(All Reviews
Since 2004)
Leave
feedback
 |
Copyright
Nick Morgan and crew
|
|
|
Concert
Review by Nick Morgan |
|
 |
MICHAEL
MARRA
Ye
Olde Rose and Crowne, Walthamstow, October 30th
2005 |
 |
Who
in their right mind would want to go to Walthamstow
on a Sunday night, particularly if they feel as
rough as I do? It’s a drive from one end of
London to the other, with all the second-home owners
making their way back to the City after a weekend
in the country, via the King’s Cross Euro-terminal
bottle-neck and through Clapton’s famous ‘shooting
alley’. And what is there in Walthamstow?
|
Well,
pioneer socialist, typographer and wallpaper designer
William Morris (you know, the one they named the
car after) lived there, and his home is now a fine
museum. The town hall is a testimony to all those
design principles cherished dearly by Mussolini.
And there’s a dog track, which Serge, is a
track where they race dogs, and you bet lots of
pounds to see which dog can chase a bunch of rags
(known as a rabbit) fastest. But none of that matters,
because we’re going on a pilgrimage, to Walthamstow’s
worlde famous Ye Olde Rose and Crowne pub.
Not that I go into pubyes too often, and at seven
o’clock on a dark autumn night this one comes
as a bit of a shock. |
 |
 |
We’re
sitting in the medieval section, all reproduction
shields and swords on the wall, suits of armour,
faux paintings of flat fat faced monarchs and their
cod pieces, and seven TV sets, plus a huge video
screen, all showing football matches that none of
the dozen or so solitary drinkers in the place wants
to watch. On the other side of the bar is the heritage
section, which boasts a pool table, and seems to
house much of the kit that Scott must have taken
with him on The Discovery, or that Shackleton must
have loaded onto the Endurance for his ill-fated
Trans-Antarctic Expedition. You know, sledges, tennis
racquets for walking in the snow on, old suitcases,
fishing rods (very useful in the Antarctic I’m
sure). |
| Funny
how so much of this junk seems to have found its
way back to British pubs. Fortunately for us there’s
also a charming young Thai guy renting space in
the kitchen (as there also seems to be in so many
London pubs these days) and cooking decent cheap
food, so at least we manage to get some dinner.
Then, after a brief visit to the alarmingly industrial-sized
urinals (fit only for the disposal of vast quantities
of spent ale) it’s through the side door,
and up the stairs, to the The Folk Club. |
| I’d
forgotten about folk clubs. Do you have them in
France Serge? The last time I was in one must have
been fourteen years ago or so in Edinburgh (strangely,
to see Michael
Marra), and before that, well modesty
prevents me from going into detail. But let’s
just say, they ain’t changed. De-rigueur,
as you say, is: shabby ‘function’ room
above or behind pub bar; filthy carpet; lonely ‘Happy
40th Birthday” balloon trapped for eternity
on the ceiling; ripped curtains hanging from falling
curtain rails; a variety of broken wedding reception
chairs; a few tables; improvised stage and sound
system with more safety hazards than the Titanic.
Oh yes – and the people, trapped, like the
balloon, in a time warp. They could have come from
Cyril Tawney’s folk club in Lancaster in the
1970s, waistcoats, beards, sandals and all. |
 |
| Having
said that, if it weren’t for these die-hard
finger-in-their-ear folkies, then a great many quality
musicians would struggle to find anywhere to play.
At least that’s the thought I tried to console
myself with as I downed a fistful of aspirin, grimaced
at the mindlessly smiling faces (about twenty of
them at most) of welcome (“Gosh Nigel, he’s
new, do you think he’s going to sing us a
song?”), took a swig of water and aggressively
sat at the back of the room, notebook and pen in
hand. Oh yes, and while we were here to see MM,
I should give an honourable mention to support act
Adrian May, a large bearded lugubrious type in baggy
corduroys, who had some nice self-penned tunes and
made us all laugh with his ukulele interpretation
of ‘Heaven knows I’m miserable now’.
Michael Marra cut a different dash entirely. |
 |
Small,
wiry, strong eyes, fierce stare – if you met
him in a bar in his native Dundee you’d probably
carefully move across to the other side and quietly
keep yourself to yourself. He’s a Scottish
rock veteran, suffers from being too often described
as a ‘national treasure’ (just how patronising
is that), but is, cutting to the quick, probably
one of the best living songwriters in the country.
His songs are closely observed pieces, many based
on an intriguing mixture of the past and the present,
and mostly all firmly rooted in Scotland, and of
course in particular the bonnie town of Dundee.
I should probably add that I’ve always suspected
that Marra is a bit of a fucked-up Roman Catholic,
as religion pumps through the veins of many of his
creations. Lest you’re getting worried I should
assure you that for all this there is nothing parochial
about his work (how could there be with song titles
like ‘Frida Kahlo’s visit to the Taybridge
bar’). |
| I
remember when I worked with Scottish historians
that we would always claim (mostly when trying to
figure out why we didn’t work in Oxford, or
Chicago or somewhere like that) that Scotland was
a great laboratory for global historical studies,
where you could test hypotheses and methodologies.
Well so it is for Marra and song writing. Not only
can he bring New Orleans to the most unlikely places
(‘Dr John’s visit to Blairgowrie’),
but in the turn of a phrase he can transform the
most closely focussed piece into something gloriously
universal (“Hamish stokes young men’s
dreams into a burning flame” from Hamish,
a tribute to Dundee United’s great goalie
of their 80’s European campaigns). Oh yes
– and did I mention that Marra has a voice
like sandpaper rubbing on gravel? |
| Well
you can’t hide in a room with a few dozen
people in it, and in fact, with his guitar leaning
on a chair and his keyboard propped up on an old
ironing board, it’s a bit like having him
play in your living room. And talk – he’s
not spare of a few humorous words to explain where
his songs come from (though we rarely get the whole
story, so there’s a bit of a joke going on
here too), or to share his views on matters topical,
such as Scottish History. |
 |
| Some
of you may not know that for many years Scottish
History wasn’t taught in schools in Scotland,
so as Marra explained his history came from the
likes of pot-boiling author John Prebble (arrgh
– not really the best starting point). But
it hasn’t done him any harm, as a searing
and often cynical sense of history runs through
many of his songs like ‘Mincing wi’
Chairlhi’, or the gentle ‘General Grant’s
visit to Dundee’, He’s also not bad
at nationalism either – tackling the subject
head on in a tune written for Martin Carthy, ‘If
I was an Englishman’ and in his finale, and
nomination for Scotland’s National Anthem,
‘Hermless’, a parody of Scottish meekness
in the face of authority which caused some controversy
when it was released (letters in the Scotsman as
I recall) due to its references to then Liberal
Democrats’ (or whatever they were called at
the time) leader Robert Maclennan. Actually –
let’s just cut the crap – the songs,
‘Bob Dylan’s visit to Edinburgh’,
‘The Guernsey kitchen porter’, ‘Beefheart
and bones’, ‘She said, he said’,
‘Neil Gow’s apprentice’, ‘Like
a rolling stone’, ‘Reynard in paradise’
and ‘The lonesome death of Francis Clarke’
are simply wonderful. Full stop. |
 |
So,
for all you Whiskyfun Scotophiles out there, here’s
the Michael Marra challenge. Think you know about
Scotland from those rubbish whisky books you’ve
read? Think you understand this most complex of
little countries? Well how many Michael Marra albums
have you got? None? Then just bloody think again!
Go out and get some, and if you can’t buy
them all then join Michael in cyberspace and do
that downloading thing instead. It’s well
worth the price of a bottle or two of your favourite,
and it’ll last a lot longer too! - Nick
Morgan (concert photos by Kate) |
Check
the index of all reviews:
Nick's Concert Reviews
|
 |
 |
 |
|
There's nothing more down there... |
|
|

|
|