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Nick Morgan and crew
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Concert
Review by Nick Morgan |
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THE BERMONDSEY EVENT: Joe Brown, the Blockheads,
Nine Below Zero, Albert Lee and Hogan’s Heroes
Southwark Park, Rotherhithe, London, July 8th 2006 |
| “Buy
the Bermondsey
Beat T-shirt. Only five pounds. Buy
the Bermondsey T-shirt and you can wear it in Benidorm
and scare Northerners ….” We’re
in South London, to be honest more Rotherhithe than
Bermondsey, and it’s fucking ‘ard. Everyone
seems to bristle with latent aggression –
the tattooed men, the tattooed women, even the shaven-headed
children. The de-rigueur accessory is some sort
of slavering pit-bull terrier straining at the leash
– they’re everywhere, adding to the
sense of resentful antagonism that suffuses the
atmosphere. This is largely white working class
Millwall territory – “everyone hates
us and we don’t care”. Fuck off. |
| Luckily
this is Jozzer’s patch. His Manor. His gaff
is round the corner from the park, and being in
his presence is the equivalent of being in a war
zone with a few battalions of the UN’s Blue
Bereted best around you. So as they spot Jozz, sitting
in his chair alternately snarling and sneering as
the debris of discarded beer bottles builds around
him, people break into smiles, wish us civil ‘how
do you fucking dos’, and promise us that we’re
in for a real treat. Which by and large we are –
the deep seated violence only kicks off towards
the end of the night, when the main area in front
of the stage empties quicker than a school playground
as a rammy breaks out behind the fairground. “It’s
West ‘Am” shouts a youth, heading for
the action; “You comin’ or wot?”. |
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Anyway
it’s the annual Bermondsey ‘Event’
in Southwark Park, almost “the largest community
music event in London” says the website.
It’s a day in the Park really, with beer
tent, fairground, solar powered French Circus,
a few food stalls (mostly it’s picnic time)
and, not surprisingly, a dog show. The reason
for being here is the remarkable little line up
of bands, including some of Whiskyfun’s
favourites. Bizarrely the afternoon session is
introduced by local boy, “disgraced comedian”
Michael
Barrymore (“If the council
have paid him then I want my rates back”
mumbles Jozzer), much to the bemusement of first
act Albert
Lee and Hogan’s Heroes. Lee
of course, is the UK’s leading Country guitarist
who was born in the wilds of Herefordshire. They
ran through their stuff, featuring some tunes
from Lee’s
new album Road Runner, and ending with Lee’s
signature tune, ‘Country Boy’. But
to be frank it wasn’t too easy to make out
what was being played as the sound was decidedly
inferior unless (as we discovered later) you were
right in front of the stage, and the pleasing
breeze seemed to be blowing much of what there
was (sound, that is) down the river. And Jozzer
was still eating his lunch, a prodigious plateful
of Bermondsey’s best bangers, and toying
with a frisky Rioja, so we weren’t going
anywhere without the UN. Which meant that we didn’t
get the full benefit of Nine
Below Zero, fronted by two of Bermondsey’s
favourite blues-boys, ace guitarist Dennis Greaves
and harmonica genius Mark Feltham. Jozzer still
remembers when they used to play “daan the
Apple and Pears”, a famous Bermondsey boozer
which he, and many R & B fans used to frequent
way back in the 1970’s. Here, once the sound
was sorted, they played at a breakneck speed for
over an hour, by which time the bangers, and the
Rioja, were spent (as was the coke that we spotted
two guys snorting behind the Portaloos in full
view of the Old Bill). Anyway don’t turn
down a chance to see Nine Below Zero, they’re
tight and top quality, “still the business”,
and are playing all over Europe at Festivals throughout
the summer.
We needed to get closer for the Blockheads - not
South London geezers of course, and what with
all that Essex tosh, and two band members from
Newcastle it was potentially a dangerous place
to be. But as Jozzer led the lost tribe the crowds
parted ‘till, uncannily, we were right at
the front of the stage. |
| I
wasn’t sure about the
Blockheads as a festival band, but
that close up they were simply brilliant. With or
without the much missed Ian Dury their sophisticated
and complex take on rock and roll is simply still
best in class – driven by Norman
Watt-Roy’s sublime Fender bass
playing, Micky G on Hammond and Chaz J and keyboards
and Fender guitar, and Dylan
Howe’s cool groove drumming the
performance was sublime. An increasingly ‘emotional’
(as they used to say) John Turnbull fronted with
vocals shared with Derek the Draw, mixing Blockhead
classics with new material from Where’s the
Party? |
 |
It
was as they ended that the fighting started, and
as mayhem had its day the stage was quietly prepared
for the headline act, London rock and roll veteran
Joe
Brown, devoid, after all of these years,
of his Bruvvers. Joe, you may recall, had a string
of not quite number one hits at the start of the
sixties, and then resigned himself to being a nation’s
favourite chirpy cockney. “What”, I
slurred to Jozzer, “wash hish big hit?”
“Who knowsh?”. Well Joe, looking as
sprightly as he had when I last saw him in the late
1960s, wowed us with some well chosen bluesy rockabilly,
an a cappella tune or two, and some notable playing
on the mandolin. All surprisingly very classy –
and indicating serious talent and technical abilities
not, of course, suggested by the novelty act reputation
– in fact Joe and his accomplished band went
down a storm at Glastonbury a couple of years ago,
always the key to musical rehabilitation. He has
a new album out later this summer which might well
be worth a serious listen. In the meantime Jozzer
said “whasht wash it?” just as Joe broke
into ‘I’m Henry the Eighth I am”
– never a hit, but the song for which he will
always be remembered – no doubt much to his
chagrin. Then it all went wrong. |
| With
the show running well over time the firework chaps
decide to trigger the fuse, Joe was trying to play
an encore (“fucking disgraceful I call it,
said the DJ as we left for digestifs chez Jozz,
“letting off fireworks when Joe wuz still
playing”) but the sound men were cued for
‘Land of Hope and Glory’. So we got
fireworks, Joe, Elgar, fireworks, no Joe, no fireworks,
and finally the remnants of Elgar sadly playing
out as, under the watchful eye of the mass congregation
of the local Old Bill, we gathered the remnants
of our day back onto Jozzer’s old dad’s
costermonger’s cart and pushed it back home. |
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And looking back in retrospect what had we learnt?
Well, you don’t have to pay £40 or more
for a good day out in the park. And that once disarmed
of prejudice (and music is a great disarmer) you
can have a good old knees up with gawd blimey heavens
knows who you like. That the Blockheads really do
remain the benchmark in funk soul rock and roll,
relaxed exemplars for all to follow. That you don’t
need a burger king sponsor to spoil a good party.
And that Jozzer’s doll Trizza makes a mean
sausage bap. Ah yes Serge, we may have been knocked
out of the World’s Cup, but we’re back
here in Blighty, and we’re doing very well.
- Nick Morgan (photographs by Kate) |
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